History of the Ranieri Castle
Located just outside the small city of Umbertide, the Ranieri castle is one of the best-preserved castles in Umbria. Mention of the site first appeared in a document in 1053 in reference to Saint Christopher’s Church, confirming that a structure existed at least at that date. The current structure dates back to the 16th century and is located inside the walls of the civitella, a term that refers to a fortified site similar to a walled village. A Ranieri family coat of arms on the inner courtyard façade holds the date 1519.
In the early days of the feudal castle, the community most likely included around twenty or thirty families. The inhabitants produced what they needed to survive, and the feudal lord provided protection. Civitella was considered the northern border of Perugia’s territory, and was part of an invisible fortification made of turrets and castles between the territories of Gubbio and Città di Castello. Evidence of Civitella as a fortified castle can still be seen in the thick stone walls and armorial bearings around the exteriors.
In the 16th century the Umbria region was at peace, and there was little need for armed defense of the castle. The Ranieri lords decorated the castle with portraits and statues and built beautiful fireplaces in the halls. The statue of Ruggero Cane, the great warrior and military leader, was erected in the entrance courtyard around 1730.
In the 18th century stuffy castles were no longer in fashion, and the lord Constantino Ranieri attempted to refurbish Civitella. Ditches were filled in, gardens designed and trees were planted; and the old castle began to look more like a villa. The fruit garden, loggia and pergola were built on the western terraces below the castle, and trees were cleared so one could view the lovely Tiber Valley.
In 1817 came the official abolition of feudalism, and the Ranieri family became subjects of the Papal State. Ruggero Ranieri, the last feudal lord of Civitella, was a loyal subject of the Pope and in 1847 became colonel of the Civil Guard in Perugia. The unification in 1861 brought Umbria into the newly established Kingdom of Italy. Agriculture was an important part of the economy and sharecropping, or mezzadria, became the primary legal agriculture system in Italy. It was under these circumstances that Civitella became a working farm.
Sharecropping in Umbria came to end in the mid-20th century, but evidence of centuries of farming at Civitella can still be seen around the castle. The studio-apartment Granaio was a granary, and many of the rooms along the outside fortification were used as storage spaces. Large cellar spaces were set up in the basement of the castle, and the stables were filled with horses. The current art gallery was a barn where small animals were housed, and the offices now used by the Foundation were once a public school house.
Castrabecco, an old farmhouse abandoned in the 1950s and located outside the castle walls, is now used as studio-apartments for Fellows and Director’s Guest. Studio 6, once used to dry tobacco, has been renovated into a large high-ceilinged artist workspace. Just down the cypress-lined gravel driveway is the composer’s studio Pizza. This space, although at one time a pigsty, is now a beautiful apartment and studio for composers in residence.
A more ancient castle stood on the ground of Civitella before the present one, mentioned for the first time in a document from 1053, in which we find the church of San Cristoforo (St. Christopher) “in the territory of Civitella”. Civitella is only a few kilometers from the Camporeggiano abbey, and the church within the castle walls is still dedicated to St. Christopher today.
Visits to this still sacramented space that holds the relic of Saint Christopher, are available upon request. Email firstname.lastname@example.org.
“Peace and fresh air and freedom to work, to write, to read, to create, to walk in the beautiful Umbrian hills, to sing and share stories and laughter and wine and good food and discover new friends for a lifetime.”Joan Labarbara (Fellow 2013)