The New Yorker
Annie Gosfield (CRF 2008) was featured in the New Yorker’s Musical Events section of the December 11 issue.
By Alex Ross
“Gosfield, a New York-based composer with a virtuosic command of classical, pop, and avant-garde styles, began the score before “fake news” entered the lexicon. Like [Orson] Welles, she places the reality-bending power of the media under scrutiny.”