Angèle Etoundi Essamba (CRF 2022) and Kerry James Marshall (CRF 1998, Juror) had works featured in “Luminous Blackness,” a piece in the latest edition of MoMA’s magazine. Kennedy Jones writes about the powerful presence of darkness in Untitled (Bride...
Wilmer Wilson IV (CRF 2022) has a solo exhibition opening March 14 at Susan Inglett Gallery in NYC. In “Projections Through the Nictitating Membrane,” Wilmer explores the relationship between the city and its inhabitants, conjuring “impossible...
Bobbie Oliver (DG 2009, 2021) has an exhibition opening at High Noon Gallery in NYC. “Found Objects” features paintings that emerged from Bobbie’s observations of New York City: the work acts as “a love letter to the city and the extraordinary...
Claudia Durastanti’s (CRF 2022) new book “Missitalia” is out today from La Nave di Teseo. Set in the Southern Italian region of Basilicata where Durastanti grew up, this multi-layered tale deals with three women living in three different eras — in the 19th...
On Saturday, March 9th, 2024, Civitella Ranieri will open its doors for the lecture The point of infinity: Piero della Francesca’s Perugia altarpiece by Professor Frank Dabell (DG 2019). Piero’s polyptych for the nuns of Sant’Antonio in Perugia (now...
Felecia Davis (CRF 2023) is an architect and artist from the United States. Her work connects art, science, engineering and design. She is also a founding member of the Black Reconstruction Collective, a not-for-profit group of Black architects, scholars, and artists...
